In his pioneering treatise on The Four Elements of Architecture, Semper insisted that the threading, twisting and knotting of linear fibres were among the most ancient of human arts, from which all else was derived, including both building and textiles.
‘The beginning of building’, he declared, ‘coincides with the beginning of textiles.’ And the most fundamental element of both building and textiles, he thought, was the knot.
The first sign of human settlement and rest after the hunt, the battle, and wandering in the desert 
is today, as when the first men lost paradise,  the  setting  up  of  the  fireplace  and  the  
lighting  of  the reviving, warming and food preparing flame. Around the hearth the first groups 
assembled; around it the first alliances formed; around it the first rude religious concepts were 
put into the customs of a cult. Throughout  all  phases  of  society  the  hearth  formed  that  
sacred focus around which the whole took order and shape. It is the first and most important, the moral element of architecture. Around it were grouped the three other elements; 
the roof, the enclosure and the mound, the protecting negations or defenders of the hearth’s flame
against the three hostile elements of nature.
At the same time the different technical skills of man became organised according to these 
elements: ceramics and afterwards metal works  around  the  hearth,  water  and  masonry  works  
around  the mound,  carpentry  around  the  roof  and  its  accessories.  But  what primitive 
technique evolved from the enclosure? None other than
the art of the wall-fitter, that is the weaver of mats and carpets.
-- Gottfried Semper, The Four Elements of Architecture

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